On Succession's Jeremy Strong: "Walk the Line"

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Michael Caine once said that on the set of “Hannah and Her Sisters”, Woody Allen gave him the advice to think about what your character wants to say, and then don't say it. It was a powerfully insightful bit of acting guidance that applies to Jeremy Strong's performance as Kendall Roy to the letter, especially this season on Succession. Scene after scene, episode after episode, Strong's depiction of Kendall Roy the oldest most complex, maybe most inconsistent and definitely the most mentally beleaguered of the Roy clan - teetered the line between pathetic and sympathetic, and then despicable.

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“Because my Dad Told me To” …The line is given its persistent recall, and treatise precisely because of Strong’s delivery. It’s complex storytelling, that informs where he is at now, and predicts where he might end up. From the beginning of the scene Strong makes it clear Kendall is not into this, that he takes no pleasure in this. As the camera follows him along down the hallways and into the main room, he looks like he’s on the way to the gallows himself. As he informs the employees at Vaulter of their fate he says the words with no emphasis, with no emotion, but not the kind that implies a natural state of being unmoved by this, but one that implies an affected act of trying to portray himself as such. The kind that implies he’s going through the motions of feigning no emotion. He’s an avatar for his dad, doing it precisely because his dad told him to. He avoids eye contact, and when he does its not hard to see he’s steeling himself, holding steady, trying to appear as if he’s his father, but its clear he doesn’t have the callousness, nor the same relish in this as his father does - in his eyes, in his body language. The appendages, and orbitals are not dead, their just pretending to be. Which has kind of been Kendall’s through line this season..pretending to be dead, not as a strategy to win, but as a strategy not be beat upon anymore. Sarah Snook’s Shiv once remarked that her brother basically volleyed between loving and hating their father, and Kendall acknowledged the truth in that. Strong’s acting functions skillfully in service of that truth. When he utter’s the words “because my father told me to” there is a fierce loyalty that empowers the emotional production he’s putting on, but there is also not much love there, or at least thats my reading of the scene. Whatever yours is, its undeniable the driving power of the scene is Strongs’ ability to say less, be more.

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I could not in good conscious say Jeremy Strong is the best actor on Succession, Sarah Snook, and Matthew Macfadyen exist, and they do quite a lot with much less. But Kendall Roy is the most riveting character on Succession thus far and that is due in large part to Roy’s acting. It is dedicated, and committed acting as when Kendall presents his father with the grossly over the top LOG rap. Present and affecting as when he vulnerably breaks to Shiv, (in what can't be a revelation to Shiv as to the existence of his insecurity, and trauma both over his misdeeds, and his father’s abuses, as much as a revelation into the depth of the guilt and harm they have bludgeoned upon him) and it was nebulous, and layered as in the finale when he seems to be accepting of his father’s instruction to take the fall for the company. Strong’s adept rendering of Michael Caine’s words foreshadowed, but didn’t snitch on the ending. Watching Strong closely as I have become prone to doing , I had the feeling that he would do exactly what he ended up doing, because Strong was doing something similar to the Vaulter scene with a different objective. In Vaulter he was pretending to be the lion, in this he was pretending to be the sheep, but it was clear to anyone paying attention to his performance that something, if not this, was going on underneath this. That something had broken from the point he asked his father to tell him whether or not he thought he could ever be in charge. It was in his eyes as he assured Roman (Kieran Culkin) he was okay. In his walk as he walked up to the media presser, it was ominous acting, the kind that tells you something is going on , but not what is going on. In many ways both the direction of the final ten or so minutes of Succession took, and the performances of both Marcus Aerelius (Richard Harris) and Commodus (Joaquin Pheonix) and Logan Roy (Brendan Cox) and Kendall in “This is Not for Tears” and “Gladiator” are similar. ..

Gladiator, a masterpiece in cinematic history, and one of the most powerful scenes in the movie that reveals a genius performance of Joaquin Phoenix, here with Richard Harris.




They both feature a father who informs a son he will never be the one, that their power will pass to another. They both feature sons with skills their fathers don’t believe suit the positions. They both feature the son’s retribution, and lastly they both featured skilled actors who brought to life a well of complex emotions, about concerned, and divisive fathers and their mal-nutritioned pathetic, despicable, and yes at time sympathetic sons, and the actors who think and feel quite a lot through the characters, but don’t alway say it with their tongues, and thats god company for Strong, even if not for Kendall.